British new wave band Duran Duran are "outraged and
saddened" once they misplaced a high court docket battle.
Duran Duran have lost a high court conflict to reclaim the
us rights to some of their most famous hits.
the long-lasting new wave band - who include of Simon Le
Bon, Nick Rhodes, John Taylor and Roger Taylor - had argued that under US
copyright legal guidelines, they were entitled to name for a reversion of the
regulations after 35 years.
Following the court's verdict, Nick stated: "we are
shocked that English contract regulation is being used to overturn artists'
rights in another territory."
Hits which include 'women on movie', 'Rio'
and 'A View to a Kill' - the theme music to the 1985 James Bond movie of the
equal call - were some of the tracks being disputed within the court.
Duran Duran desired to terminate the furnish to Gloucester
location song Ltd, that is part of EMI music Publishing, folks copyrights for
his or her first three albums, 'Duran Duran', 'Rio' and 'Seven and the Ragged
Tiger'.
but their claim was thrown out with the aid of the court
docket, with lawyers for Gloucester
place song Ltd correctly arguing their case.
In a declaration, Gloucester
location tune Ltd - a Sony-owned company - stated: "EMI has not anything
but the maximum respect and admiration for Duran Duran and their outstanding
songs.
"This has no longer been about searching for to
undertaking the united states
laws on copyright terminations, however truely a contractual issue inside the
jurisdiction of the UK
courts to make clear the parties' rights on diverse songs."
Simon, however, admitted the case had left the group
"with a bitter taste".
He stated: "I recognise that different artists in
comparable positions could be as outraged and saddened as we are."
Nick also expressed his sadness with the court docket's
decision.
He said: "We signed a publishing agreement as
unsuspecting teens, over 3 a long time ago, when just starting out and whilst
we knew no higher.
"these days, we are advised that language in that settlement
allows our lengthy-time publishers, Sony/ATV, to override our statutory rights
beneath US
regulation.
"This offers wealthy publishing businesses carte
blanche to take benefit of the songwriters who constructed their fortune over
many years, and strips songwriters of their right to rebalance this praise.
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